From sludge to spotlight: turning a lab-born startup into a brand the world can trust
NPHarvest came in with breakthrough technology and no brand presence. They recover nutrients from wastewater — a technically brilliant process, but one that’s hard to explain. I joined via San Francisco Agency, building on the thoughtful comms work laid by Reetta Ilo.
But, how do you talk about nutrient recovery without sounding like a dry academic paper — or worse, like a sewage manual? My task was to help them look as sharp and innovative as they truly are, while making sure their message was still accessible to the occasional non-scientist. The trick was in finding balance: maintaining credibility with engineers and municipalities, without closing the door on curious outsiders.
Getting the terminology right was a whole journey. Words like "filtration" or "removal" seemed intuitive, but the team was clear: they don’t remove — they recover. That difference mattered. Understanding their tech — from acid tanks to outputs — took deep dives, and turning that complexity into something visual and beautiful was the real lift.

For NPHarvest, the website wasn’t just a digital brochure—it was a critical touchpoint for clients, municipalities, investors, and partners to understand the company’s purpose and potential. The challenge? These audiences had very different needs, levels of technical understanding, and expectations.
I approached the design with one clear goal: make it foolproof. Whether you’re a municipal decision-maker, a wastewater treatment plant manager, or an investor looking for climate-tech opportunities, the website should guide you to what you need—without friction, without confusion.
To get there, I ran a series of workshops with the NPHarvest team. Together, we mapped out:
The core story: Why nutrient recovery matters, and how NPHarvest turns waste into value.
The audience needs: What each group comes looking for—and what would convince them to take the next step.
The messaging hierarchy: What goes above the fold, what gets a deeper dive, and how we guide users through the site.
The tone of voice: Clear, no-nonsense, and a little bold—because the technology is solid, and we wanted to reflect that confidence.
Sludge isn’t necessarily a fun subject. I used custom SVG animations to lighten the mood, visually dissolving dense sludge into lighter, clearer elements. This subtle effect echoes NPHarvest’s core mission: turning waste into value without the heavy, gloomy vibe.

For the NPHarvest logo, I wanted a typeface that felt technical yet human—a nod to the scientific foundation of the technology without feeling cold or robotic. Trim Mono from Letters from Sweden was the perfect fit: it has a precise, engineered feel, but with a warmth that makes it approachable.
Here’s the subtle twist: I used four weights—SemiBold, Medium, Regular, and Light—next to each other to reflect the idea of nutrient recovery. As the type gets lighter, it mirrors the NPHarvest process: taking dense, heavy waste and transforming it into clean, reusable resources. The logo itself carries a hint of the story—clarity emerging from complexity.

The NPHarvest logo holds up across all sizes. From the smallest favicon to large-scale applications, its clean lines, monospaced structure, and carefully balanced weights ensure it stays clear, legible, and instantly recognizable—no matter the scale. This versatility makes it a reliable brand asset for any context.
When you’re a startup, events are the name of the game. For NPHarvest, that means dozens of conferences, demo days, and pitch events every quarter — each with a different setup, a different venue, and a different level of chaos. The only constant? There’s always space for a roll-up.
At first, I’ll be honest — it sounded like the least exciting artifact in the whole brand ecosystem. But it turned out to be one of the most satisfying parts. Not only did it give me a chance to write sharp, punchy lines that could grab attention from across a room, it also let me test how flexible and coherent the design system I created really was. Colors, logo weight, grid: it all had to hold up at a meter-wide scale.
Now I kind of love roll-ups. Don’t tell anyone.
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Made in Helsinki, Finland, by Daniel Motta in 2024